The album's most surprising stylistic detour. Coughlan takes Grace Jones’ 1981 new wave/disco club hit and strips it down into a raw, acoustic funk groove, proving her unique ability to cross genre boundaries seamlessly.
Coughlan has a rare gift for subverting familiar songs. Her take on Randy Newman’s is a highlight; by underplaying the suggestive lyrics, she adds a layer of "sass and menace" that traditional covers often miss. Similarly, the track "Portland" carries an "unsettling undertow" reminiscent of Tom Waits. The Verdict
Mary Coughlan’s Red Blues (2002) is not a joyful listen, nor is it intended to be. It is a document of survival and clear-eyed melancholy. For listeners seeking pristine vocals or upbeat swing, this album will disappoint. However, for those who appreciate the sound of an artist facing down middle age, regret, and weariness with unflinching honesty, Red Blues is a hidden gem of early 2000s European blues.
Here’s a short text about Mary Coughlan’s album Red Blues , released in 2002.