The film mirrors the structure of Dante’s Inferno , dividing the narrative into four distinct segments:
While the film contains extreme imagery, film historians and critics view it as a political allegory rather than mindless exploitation. Pasolini transposed Sade's 18th-century story to the final days of World War II in fascist-occupied Italy. The film serves as a harsh, uncompromising critique of: Fascism and authoritarianism The abuse of institutional power The consumerist exploitation of the human body i the 120 days of sodom sub indo exclusive
Despite its graphic nature, Pasolini intended the film as a fierce political allegory. The film mirrors the structure of Dante’s Inferno
The victims in the film represent the working class, completely consumed, manipulated, and discarded by a corrupt consumerist consumer system. i the 120 days of sodom sub indo exclusive
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