Originally a project for an up-and-coming director, it was taken over by Fulci to fulfill a contractual obligation. What resulted is a film that is less a supernatural horror and more a perverse character study, described by one critic as "essentially a sort-of Fifty Shades of Fulci ". For any fan of cult cinema, or anyone just curious about one of the most bizarre entries in Fulci's filmography, this is a deep dive into the story, the madness, and the legacy of "The Devil's Honey."
In the aftermath, Julian Vey’s remaining films are reexamined; Owen finally retires the last reel. Fay’s name is restored to the credits in a quiet note at the end of a retrospective screening. Mara keeps one small, unremarkable shard of amber in a locked drawer — a reminder that some things should be watched with care. fylm The Devil--39-s Honey 1986 mtrjm awn layn - fydyw lfth