Stossgebet Fur Meinen Hammer -hans Billian- Lov... |work| Official

has given the film a second life. The term “Stoßgebet” experienced a minor cultural resurgence when German industrial rock band Eisbrecher released a song of the same name in 2020, and the power‑metal band Powerwolf also produced a track titled “Stossgebet”. These musical homages, however, lack the explicit bodily humour of Billian’s original.

Outraged by the clear breach of rules, Frau Kellner seeks out the sauna's owner, a man named Brandauer, to demand the intruder's removal. Brandauer acts completely indifferent and dismissive. When Frau Kellner returns to the locker rooms, she discovers that the intrusion was not random. The Climax

: The situation devolves into a group sexual event (or orgiastic scene) where Inge is central to the events. Production and Cast Stossgebet fur meinen Hammer -Hans Billian- Lov...

Billian was a staple of the West German "Report" film wave and early adult cinema. His work, which includes titles like Josefine Mutzenbacher (1976) and Loves of a French Pussycat (1972), often utilized common settings—such as saunas, gas stations, or apartment blocks—to explore sexual taboos with a mix of humor and explicit content.

The brevity of the official description masks the film’s true nature. The Czech database div.cz offers a more explicit summary: has given the film a second life

The plot follows a woman named Frau Kellner who takes her teenage daughter, Inge, to a sauna on a "ladies only" day. A man insists on entering the facility and is eventually granted access by another client. When Frau Kellner attempts to complain to the owner, Brandauer, he remains indifferent. Upon her return, she discovers that her daughter has been drawn into the events, culminating in an orgy orchestrated by the owner. Key Cast and Crew Hans Billian Starring: Uschi Karnat and Christine Szenetra Production Company: Love Film Hans Billian's Work

Director Hans Billian was noted for his raw, unpolished cinematography and aggressive narrative pacing. Unlike the mainstream, comedic "Report" films of early 1970s Germany (such as the Schulmädchen-Report series), Billian's mid-70s Love Film productions discarded mainstream appeal. Instead, they focused purely on raw taboo-breaking mechanics, explicit content, and low-budget shock value. Outraged by the clear breach of rules, Frau

), is a prime example of West German "sauna comedy" and erotic cinema. The 21-minute film follows a man disrupting a women's-only sauna, blending social commentary with 1970s erotic humor, featuring performers like Uschi Karnat and Christine Szenetra.